But this isn’t a plush, sensual number - the instrumentation behind her has a different agenda, as a synth vibrates with sustained, buzz-saw intensity. In a rare moment of levity, she sings dismissively about a suitor - “you think you’re 2Pac, acting like a poet” - and then responds to herself in an amusingly high-pitched voice, like Prince‘s alter-ego Camille or a member of Alvin & the Chipmunks: “You ain’t 2Pac, bitch!” On “Just the Way I Like You,” Tinashe works in steamy Janet Jackson mode. “Looking 4 It” borrows the hook from Jaheim‘s 2001 classic “ Looking for Love” and merges it with Tinashe’s unhurried saunter. Tinashe is fluent in several decades of R&B and has an easy way of translating that past language into the present. ( Sam Smith effectively used the same ploy, breaking in the States with “Latch” and then releasing ballad after ballad.) Only “Worth It” pushes the tempo - that song is produced by the Bay Area’s Iamsu!, who effectively works from the same playbook as “2 On” producer DJ Mustard. The singer’s new mixtape, Amethyst, is a step in the opposite direction: At just seven songs, it’s a highly concentrated dosage of Tinashe’s semi-molten style, further proof that “2 On” was a smart bait-and-switch, a fleet dance track from a singer who preferred deliberate motion. Tinashe, ‘Aquarius’: Track-by-Track Review This made sense considering her favored mode - treacly, slow-burning - but it also diluted her impact. Her major-label debut, Aquarius, both refined and narrowed her aesthetic - dispensing with, for example, the ’90s hip-hop soul feel of Black Water‘s “Just a Taste.” But Aquarius also stretched and pulled the singer’s sound almost to a breaking point, as the album sprawled over 18 tracks and 55 minutes. Not for Tinashe: Black Water was less than 35 minutes long, cohesive and concise. Mixtapes can serve as places where artists can experiment without major-label pressure, exploring many directions simultaneously. Checkout singles and mixtapes for this artist Lamar embarked on his musical career as a teenager under the stage name K-Dot, releasing a mixtape that garnered local attention and led to his signing with indie record label (TDE). Of course, these things rarely happen overnight - Tinashe honed her sound over the course of several mixtapes, notably Black Water, released just a few months before her first hit. And always faith in the unknown.So You Know You Can’t Dance: Watch Tinashe Teach ‘The Whip’ in New Episode As I continue to pursue my life’s calling. “May the Most High continue to use Top Dawg as a vessel for candid creators. Kendrick adds: “I feel joy to have been a part of such a cultural imprint after 17 years. The life in which my words will land next.”Īnnouncing that’s he’s producing his final album for Top Dawg Entertainment - the label that has released everything from his early mixtapes and mainstream debut, good kid, m.A.A.d city, to his latest album, DAMN. While the world around me evolves, I reflect on what matters the most. “Love, loss, and grief have disturbed my comfort zone, but the glimmers of God speak through my music and family. The morning rides keep me on a hill of silence. “I spend most of my days with fleeting thoughts,” reads the message. The news comes via a post on a website called oklama, labelled “ nu thoughts” in the style of a desktop folder, and promoted on the rapper’s Instagram. In a rare post on social media, Kendrick Lamar has revealed that he’s producing his final TDE album, prompting fans to question his plans for the future.
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